Today I picked up a great little sampler called the Akai S612. I actually had seen this sampler tucked away at a nearby used music store about a month ago but didn’t think much of it. I took a snapshot with my iPhone and later did a bit of research. My initial findings were that the Sampler wasn’t worth the effort. It had 1 to 8 seconds of sample memory depending on the sampling frequency. You also couldn’t save any samples unless you had the MD280 quick disk drive addon. As I searched for more info though, the tone seemed to change among the Sampler gurus that the S612 was in fact a rather hidden gem. In fact many said if you saw one to grab it quickly, so that I did…laugh. I ran down to the store and bought it from the guy who actually thought I was nuts. He said it didn’t work. He stuck his guitar cord into the line out jack and connected the input jack to the amp. He again said it didn’t work. I chuckled to myself and said not to worry.
After working with the Sampler this evening I found out some rather interesting things about it.
First I seem to have OS version 1.0 inside the box. This is potentially a problem because I can send wav samples to the S612 using Sample Wrench or the Atari based S612 editor using Steam. However, in all cases I couldn’t receive a sample dump via midi. The end result was a frozen connection. My thinking is that it’s possible OS v1.0 of the S612 is not working properly for sample dumps. The good news is that I can definitely send samples to the Akai S612 via midi and it takes just 50 seconds to do so. I know all the young sample musicians out there with the latest sampler gear will likely call that insanely long, but honestly that’s pretty quick and stable to get a sample into the machine. Due to the possible OS v1.0 glitch, I won’t be able to save sounds I sample just yet. I’ll need to find an OS Eprom update OR acquire an MD280 quick disk module. For a single sample machine, the time it takes to get a sample in there and ready to go is pretty good.
For live performance, I think the Akai S612 is going to be fantastic. I can easily load samples into the S612 using my Macbook Air running Windows 7 Bootcamp and Sample Wrench. As I mentioned it takes less than a minute to transfer a sample. I can then play the sample using a controller keyboard and tweak the LFO, Time, Decay, and Filter with the S612 knobs. I can also adjust the beginning and end points of the sample with the on board sliders. The results are awesome and it’s really a lot of fun to teak in real time. I also found that in Sample Wrench I can reduce the Sample Rate which effectively lengthens the sample when transferred to the S612. It’s particularly effective when using dialog or vocal phrases. You can then use the loop sliders to isolate the words in the phrase. Pretty cool!
Among other things you can overdub after your initial sample recording. You can adjust the sample rate that you sample from Sampling 4 kHz to 8 kHz to 16 kHz and finally to 32 kHz. Sampling time is 1 second at 32 kHz on up to 8 seconds when sampling at the lowly 4 kHz frequency. I have found 8 kHz to be quite good, especially when transferring samples from Sample Wrench to the S612. 4 kHz is not bad but it’s definitely got that Lo-Fi sound. It’s going to take some experimenting to determine which samples work best at what rates, but for now 8 kHz is best for balancing quality and sample time. 8 kHz would give you about 4 seconds of sampling time. In a live song where you stutter, glitch, or adjust the tempo of the sample it works very well.
Basically I view the Akai S612 as a single instrument sampler or synthesizer. It’s absolutely not a workstation nor is it a multi-sample instrument like the later Akai models. Rather it’s a single “Oscillator” kind of sampler where it’s best to find that one great sample and incorporate that into your song as if it’s a regular instrument in the mix. That’s pretty much how I plan to use it and I think for that sort of thing, it is a very unique piece of “hands on” sampling gear.
It’s pretty neat what the Akai S612 can do and I feel if one thinks outside the box a little, it can even have more interesting uses. The analog filter inside could also be used to warm up a sound as well. More and more I’m finding these ancient samplers to be very useful for creating additional INSTRUMENTS in the mix. If you’re into looping, I think the modern day sampler offerings are still probably the best choice, including software.
I haven’t found any decent Akai S612 videos on Youtube that are what I call musical, but I did find this one that was pretty good in showing some of the features. Enjoy!